For the second year in a row, my poor kid has gone off to school draped in a sheet. He’s mostly happy being a ghost – there’s something about being hidden that appeals to him and he’s mastered a pretty good spooky wafting move – but there are challenges – easy to trip, hard to see. For my part, I mostly feel creatively hopeless and as though I’ve really let him down for 1. not having a sewing machine, 2. not teaching him to sew, 3. not being so on point with popular culture that I even understand most people’s costumes about various characters from tv shows and 4. generally being a bit of a wet blanket around fancy dress in general (and all this, despite a wonderful conversation with Seija Halonen many years ago, about the way dressing up can allow you to unleash all kinds of aspects of yourself, that don’t get much airplay in your every day life.)
So, that’s my preface to say: costumes can be hard. And I get that.
And there’s a new and wonderful factor to consider – this at-last revelation that it’s not okay to use your costume to amplify racism or oppression of people.
Here’s a great article from David Robertson, that unpacks what it feels like, to have your culture (that has already been marginalized, attacked, made illegal, mocked) appropriated as a Halloween costume.
And here are some brilliant helpful posters created locally, by year 11 students at Xet’olacw Community School, to make this point beautifully and simply.
My Culture Is Not Your Or Your Kids’ Halloween Costume
BY DAVID ROBERTSON
OCT 24, 2019
My formative years were in the ’80s. I think it’s a fair statement to say that things were different then.
Representations of Indigenous people — in comics, movies, television, books, the news — were problematic. They perpetuated harmful stereotypes which served to dehumanize Indigenous people and led to racist attitudes and behaviours. I wasn’t immune to the impact. For a Cree youth, it shaped my self-perception. I felt “less than” because these representations made me feel devalued. But things are different now, right?
Not so fast.
I was at a hockey game recently. After the game, I found myself walking behind a young man wearing a Cleveland Indians cap. The hat was turned backwards, and Chief Wahoo was staring me right in the face. For those who aren’t aware, Chief Wahoo is Cleveland’s red-faced, toothy, feathered, black-haired mascot. Recently, Cleveland stopped putting Chief Wahoo onto the field with its players. However, it continues to be sold. And for every team that has stopped using a racist mascot (which are almost exclusively Indigenous in nature) or changed its racist name, there are far more that have not (see the NFL’s Washington football team, a name I refuse to write). But this overt racism isn’t exclusive to sports.
Halloween is fast approaching and with it, ghouls, goblins, ghosts… and Pocahontas.
Pocahontas Is A Disney Character. What’s The Big Deal?
First off: this article is not intended as a guilt trip. Guilt doesn’t do anybody any good, and I don’t think people choose costumes, for themselves or their children, to be racist or offensive. The thing is, that doesn’t make it not racist or offensive. Even those of us who aren’t racist can still perpetuate racism by the choices we make.
So, to answer “What’s the big deal?” —
I’d like to plant a different seed.
What I’m talking about is appropriation. Like reconciliation, it’s a bit of a buzzword, so let me break it down into something more manageable.
Appropriation is the act of borrowing elements from one culture and removing all context and meaning, with the intent of using those elements for your own purpose or profit.
For example, dressing a non-Indigenous child as a “native chieftain” for Halloween, complete with a headdress, would be eliminating the context and meaning of the headdress, let alone a chief. This article isn’t long enough to discuss the significance of a headdress, but suffice to say, it’s not a prop. It means something.
“And Indigenous people are not the only victims of Halloween appropriation. October 31 is not so great for the Black community or the trans community, to name two.”
At its heart, it’s about respect. And while the conversation we’re having now might be a bit too difficult, a bit too complicated, to have with a child, I would argue that it’s never too early to talk about respect. I’ve visited enough kids across Canada to know that they get it. But if they’re bought a costume, they’re going to wear the costume. And if they wear the costume, they may start forming damaging perceptions. Because while kids get respect and empathy, they’re also impressionable.
“So if I dress up as a pirate, aren’t I being offensive to pirates? Where does this political correctness end? It’s like I’m not allowed to do or say anything anymore!”
I hear and see this pretty often. I guess it’s not an awful question, if it’s asked genuinely. After all, Pocahontas is a character in a Disney movie, right? Well, no, she’s not. And dressing up as her is not the same as dressing up as, say, Jack Sparrow. To answer the question, I would suggest that another question is appropriate.
And Indigenous people are not the only victims of Halloween appropriation. October 31 is not so great for the Black community or the trans community, to name two. They, and others, have encountered historical oppression as well, and should also not have to see themselves as a costume. They should not have to feel dehumanized, as though they are on the same level as a unicorn or a ghost or a zombie.
They, We, Are Human Beings.
That’s the crux of this argument, I think.
Let’s look at reconciliation. What is it, really?
In the context of Halloween and appropriative costumes, that means a few things.
First, it’s difficult to see one another on a human level when one dresses up as the other in a way that perpetuates stereotypes we need to start seeing through.
Second, we need to talk with each other and learn about each other. How can I educate my children if I don’t educate myself first? For example, all it takes is a Google search to find out why the headdresses I mentioned earlier are so important and should not be relegated to the designation of Halloween costume. The more we do this, the more we prevent marginalized people from existing outside of historically perpetuated stereotypes.
I’m not infallible. Far from it. I’ve made mistakes with my five children. We don’t do Halloween anymore for our own reasons, but we used to when there were two kids and life was less busy. I was looking through old pictures recently and saw a photograph of my oldest daughter when she was a toddler. From what I can tell, she had on an Indigenous costume. Not Pocahontas, but not a whole lot better.
Back then, I was just beginning to educate myself about Indigenous people, about my father’s life, about what it meant to be Indigenous for me. I grew up disconnected from my Indigeneity, and this is a journey I’m still on.
I’ve had these conversations with my kids, I’ve had these conversations with parents. I’ve gone through the process of learning so that I, and hopefully others, can make better decisions. So that my kids grow up differently than I did because I’ve planted a different kind of seed in them.
Because as much as things have changed, a lot has remained the same. And all this to say: this Halloween, maybe pick Elsa (or the pirate) over Pocahontas. via https://www.cbc.ca/parents/learning/view/my-culture-is-not-your-or-your-kids-halloween-costume